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A wise, heartfelt and powerful new novel from Julian Barnes - a book that is a balm for our times with an extraordinary woman at its heart.
We'd like to introduce you to Elizabeth Finch. We invite you to take her course in Culture and Civilisation. She will change the way you see the world.
Elizabeth Finch was a teacher, a thinker, an inspiration - always rigorous, always thoughtful. With measured empathy, she guided her students to develop meaningful ideas and to discover their centres of seriousness.
As Neil, a former student, unpacks Elizabeth's notebooks, and remembers her uniquely inquisitive mind, her passion for reason resonates through the years. Her ideas unlock the philosophies of the past, and explore key events that show us how to make sense of our lives today. And underpinning them all is the story of J - Julian the Apostate, her historical soulmate and fellow challenger to the institutional and monotheistic thinking that has always threatened to divide us.
This is more than a novel. It's a loving tribute to philosophy, a careful evaluation of history, an invitation to think for ourselves. It's a moment to reflect and to gently explore our own theories and assumptions. It is truly a balm for our times.
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Journal 1887-1910 (Paperback)
Jules Renard; Translated by Theo Cuffe; Introduction by Julian Barnes
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R553
R456
Discovery Miles 4 560
Save R97 (18%)
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Ships in 10 - 15 working days
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The Sunday Times Bestseller from the Winner of the Booker Prize She
will change the way you see the world . . . 'I'll remember
Elizabeth Finch when most other characters I've met this year have
faded' The Times Elizabeth Finch was a teacher, a thinker, an
inspiration. Neil is just one of many who fell under her spell
during his time in her class. Tasked with unpacking her notebooks
after her death, Neil encounters once again Elizabeth's astonishing
ideas on the past and on how to make sense of the present. But
Elizabeth was much more than a scholar. Her secrets are waiting to
be revealed . . . and will change Neil's view of the world forever.
'Enthralling . . . A connoisseur and master of irony himself,
[Barnes] fills this book with instances of its exhilarating power'
Sunday Times 'A lyrical, thoughtful and intriguing exploration of
love, grief and the collective myths of history' Booklist
**THE SUNDAY TIMES BESTSELLER** Would you rather love the more, and
suffer the more; or love the less, and suffer the less? That is, I
think, finally, the only real question. First love has lifelong
consequences, but Paul doesn't know anything about that at
nineteen. At nineteen, he's proud of the fact his relationship
flies in the face of social convention. As he grows older, the
demands placed on Paul by love become far greater than he could
possibly have foreseen. Tender and wise, The Only Story is a deeply
moving novel by one of fiction's greatest mappers of the human
heart.
*SHORTLISTED FOR THE COSTA BOOK AWARDS 2020* 'A bravura
performance, highly entertaining' Evening Standard The Booker
Prize-winning author of The Sense of an Ending takes us on a rich,
witty tour of Belle Epoque Paris, via the life story of the
pioneering surgeon Samuel Pozzi. In the summer of 1885, three
Frenchmen arrived in London for a few days' shopping. One was a
Prince, one was a Count, and the third was a commoner, who four
years earlier had been the subject of one of John Singer Sargent's
greatest portraits. The commoner was Samuel Pozzi, society doctor,
pioneer gynaecologist and free-thinker - a scientific man with a
famously complicated private life. Pozzi's life played out against
the backdrop of the Parisian Belle Epoque. The beautiful age of
glamour and pleasure more often showed its ugly side: hysterical,
narcissistic, decadent and violent, with more parallels to our own
age than we might imagine. **SHORTLISTED FOR THE DUFF COOPER PRIZE
2019**
'BARNES'S MASTERPIECE' - OBSERVER In May 1937 a man in his early
thirties waits by the lift of a Leningrad apartment block. He waits
all through the night, expecting to be taken away to the Big House.
Any celebrity he has known in the previous decade is no use to him
now. And few who are taken to the Big House ever return. 'Stunning'
Sunday Times 'A profound meditation on power and the relationship
of art and power... It is a masterpiece of sympathetic
understanding... I don't think Barnes has written a finer, more
truthful or more profound book' Scotsman 'A tour de force by a
master novelist at the top of his game' Daily Express
'A masterpiece... I would urge you to read - and re-read ' Daily
Telegraph **Winner of the Man Booker Prize for Fiction 2011** Tony
Webster and his clique first met Adrian Finn at school. Sex-hungry
and book-hungry, they would navigate the girl-less sixth form
together, trading in affectations, in-jokes, rumour and wit. Maybe
Adrian was a little more serious than the others, certainly more
intelligent, but they all swore to stay friends for life. Now Tony
is retired. He's had a career and a single marriage, a calm
divorce. He's certainly never tried to hurt anybody. Memory,
though, is imperfect. It can always throw up surprises, as a
lawyer's letter is about to prove. Now a major film
Amours de Voyage (1849) is a novel in verse and is arranged in five
cantos, or chapters, as a sequence of letters. It is about a group
of English travellers in Italy: Claude, and the Trevellyn family,
are caught up in the 1849 political turmoil. The poem mixes the
political ('Sweet it may be, and decorous, perhaps, for the country
to die; but,/On the whole, we conclude the Romans won't do it, and
I sha'n't') and the personal ('After all, do I know that I really
cared so about her?/Do whatever I will, I cannot call up her
image'). The political is important - hence the Persephone edition
reproduces nine London Illustrated News drawings of the battlefront
- but the personal dilemmas are the crucial ones. Claude, about to
declare himself, retreats, then regrets his failure to speak. It is
this retreat, his scruples and fastidiousness, that, like a
conventional novel, is the core of Amours de Voyage. The poem thus
contributed something important to the modern sensibility; it is a
portrait of an anti-hero; it is about love and marriage (the
difficulties of); and it is about Italy. Clough wrote to his
mother: 'St Peter's disappoints me: the stone of which it is made
is a poor plastery material; and indeed, Rome in general might be
called a rubbishy place - The weather has not been very brilliant.'
As Julian Barnes points out in his new Persephone Preface: 'If you
want a one-word introduction to the tone, sensibility and modernity
of Arthur Hugh Clough, you have it in that single, italicised (by
him, not me) word: rubbishy.' Clough was unimpressed by Rome and so
is his hero, Claude, 'a very unGrand Tourist'. 'What his friend
Arnold perceived to be the weaknesses of Clough's poetry,'
continues Julian Barnes, 'are precisely what over time have come to
seem its strengths - a prosey colloquiality which at times verges
on awkwardness, a preference for honesty and sarcasm over suavity
and tact, a direct criticism of modern life, a naming of things as
themselves. It is absolutely contemporary...It is also a highly
contemplative and argumentative poem, about history, civilisation
and the individual's duty to act. And it is, as the title tells us,
a love story - or, this being Clough, a sort of modern, near-miss,
almost-but-not-quite love story ( I am in love you say; I do not
think so, exactlyA") with mismatching, misunderstanding, tortuous
self- searching, and a mad, hopeful, hopeless pursuit leading us to
a kind of ending.'
The first authorised selected collection of the twentieth-century's
most influential short story writer. SELECTED AND INTRODUCED BY
JULIAN BARNES Winner of the Pulitzer Prize and the National Book
Award, John Cheever - variously referred to as 'Ovid in Ossining'
and the 'Chekhov of the suburbs' - forever altered the landscape of
contemporary literature. In a career that spanned nearly fifty
years, his short stories, often published in the New Yorker, gave
voice to the repressed desires and smouldering disappointments of
1950s America as it teetered on the edge of spiritual awakening and
sexual liberation in the ensuing Sixties. Up until now, John
Cheever's stories have only been available in Collected Stories,
but with Julian Barnes' selection we have the first fully
authorised introduction to Cheever's work. Satirical, fantastical,
sad and transcendent, these are stories that speak directly to the
heart of human experience, and remain a testament to the wit and
vision of one of the most important and influential short story
writers of the twentieth century.
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Inglaterra, Inglaterra
Julian Barnes
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R479
R410
Discovery Miles 4 100
Save R69 (14%)
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Ships in 10 - 15 working days
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Now a major film starring Academy Award nominees Jim Broadbent
(Iris) and Charlotte Rampling (45 Years) Winner of the Man Booker
Prize for Fiction in 2011 Tony Webster and his clique first met
Adrian Finn at school. Sex-hungry and book-hungry, they would
navigate the girl-less sixth form together, trading in
affectations, in-jokes, rumour and wit. Maybe Adrian was a little
more serious than the others, certainly more intelligent, but they
all swore to stay friends for life. Now Tony is retired. He's had a
career and a single marriage, a calm divorce. He's certainly never
tried to hurt anybody. Memory, though, is imperfect. It can always
throw up surprises, as a lawyer's letter is about to prove.
**THE SUNDAY TIMES BESTSELLER** Would you rather love the more, and
suffer the more; or love the less, and suffer the less? That is, I
think, finally, the only real question. First love has lifelong
consequences, but Paul doesn't know anything about that at
nineteen. At nineteen, he's proud of the fact his relationship
flies in the face of social convention. As he grows older, the
demands placed on Paul by love become far greater than he could
possibly have foreseen. Tender and wise, The Only Story is a deeply
moving novel by one of Britain's greatest mappers of the human
heart.
'As a mayor, I am responsible for the upkeep of rural roads; as
poet, I prefer to see them neglected.' Jules Renard was a French
literary figure of the late nineteenth century. Not a Parisian but
a committed countryman, he was elected mayor in 1904 of the tiny
village of Citry-le-Mines in a remote part of northern Burgundy. He
had the soul of a rustic bourgeois but the ambition of a
metropolitan, and his wife's money allowed him to move in elevated
circles, though he seemed an awkward customer, a badger, and looked
like one. He wrote fiction, journalism and drama, very
successfully, but the Journal is Renard's masterpiece, the least
categorizable work of the French fin de siecle. The Journal
constitutes a profusion of entries, without stitching or pattern:
mordant reflections on style, literature and theatre; portraits of
family, friends and the Parisian literary scene;
quasi-ethnographical observations on village life and notations of
the natural world which are unlike anything except themselves.
Samuel Beckett spoke of Renard in the same breath as Proust and
Celine, wrote of the Journal that 'for me it is as inexhaustible as
Boswell ' and believed his style was learnt from despair. Gide said
the Journal was 'not a river but a distillery'. Sartre wrote that
'He invented the literature of silence'. But above all it is a
moving and splintery piece of self-scrutiny. Julian Barnes has
admired the Journal for many years and has made this new selection
from the twelve hundred page Pleiade edition. Theo Cuffe's
translation will help bring this fierce judge of human foibles to a
new generation of readers.
Winner of the 2011 Man Booker Prize
One of "The Atlantic"'s Best Books I Read This Year
A novel so compelling that it begs to be read in a single setting,
"The Sense of an Ending" has the psychological and emotional depth
and sophistication of Henry James at his best, and is a stunning
new chapter in Julian Barnes's oeuvre.
This intense novel follows Tony Webster, a middle-aged man, as he
contends with a past he never thought much about--until his closest
childhood friends return with a vengeance: one of them from the
grave, another maddeningly present. Tony thought he left this all
behind as he built a life for himself, and his career has provided
him with a secure retirement and an amicable relationship with his
ex-wife and daughter, who now has a family of her own. But when he
is presented with a mysterious legacy, he is forced to revise his
estimation of his own nature and place in the world.
The Man Booker Prize-winning author of The Sense of an Ending takes
us on a rich, witty tour of Belle Epoque Paris, via the life story
of the pioneering surgeon Samuel Pozzi. In the summer of 1885,
three Frenchmen arrived in London for a few days' shopping. One was
a Prince, one was a Count, and the third was a commoner with an
Italian name, who four years earlier had been the subject of one of
John Singer Sargent's greatest portraits. The three men's lives
play out against the backdrop of the Belle Epoque in Paris. The
beautiful age of glamour and pleasure more often showed its ugly
side: hysterical, narcissistic, decadent and violent, a time of
rampant prejudice and blood-and-soil nativism, with more parallels
to our own age than we might imagine. Our guide through this world
is Samuel Pozzi, society doctor, pioneer gynaecologist and
free-thinker, a rational and scientific man with a famously
complicated private life. Witty, surprising and deeply researched,
The Man in the Red Coat illuminates the fruitful and longstanding
exchange of ideas between Britain and France, and makes a
compelling case for keeping that exchange alive.
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Innocence (Paperback, Reissue)
Penelope Fitzgerald; Introduction by Julian Barnes
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R283
R254
Discovery Miles 2 540
Save R29 (10%)
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Ships in 12 - 17 working days
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A new edition of the Booker Prize winner Penelope Fitzgerald's
best-loved novel of romance in post-war Italy, with a new
introduction by Julian Barnes. The Ridolfis are a Florentine family
of long lineage and little money. It is 1955, and the family, like
its decrepit villa and farm, has seen better days. Only
eighteen-year-old Chiara shows anything like vitality. Chiara has
set her heart on Salvatore, a young and brilliant doctor who
resolved long ago to be emotionally dependent on no one. Faced with
this, she calls on her English girlfriend Barney to help her make
the impossible match...
The Pedant's ambition is simple. He wants to cook tasty, nutritious
food; he wants not to poison his friends; and he wants to expand,
slowly and with pleasure, his culinary repertoire. A stern critic
of himself and others, he knows he is never going to invent his own
recipes (although he might, in a burst of enthusiasm, increase the
quantity of a favourite ingredient). Rather, he is a recipe-bound
follower of the instructions of others. It is in his interrogations
of these recipes, and of those who create them, that the Pedant's
true pedantry emerges. How big, exactly, is a 'lump'? Is a 'slug'
larger than a 'gout'? When does a 'drizzle' become a downpour? And
what is the difference between slicing and chopping?This book is a
witty and practical account of Julian Barnes' search for
gastronomic precision. It is a quest that leaves him seduced by
Jane Grigson, infuriated by Nigel Slater, and reassured by Mrs
Beeton's Victorian virtues. The Pedant in the Kitchen is perfect
comfort for anyone who has ever been defeated by a cookbook and is
something that none of Julian Barnes' legion of admirers will want
to miss.
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Elizabeth Finch
Julian Barnes
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R598
Discovery Miles 5 980
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Ships in 12 - 17 working days
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With brilliant wit, idiosyncratic intelligence, and a bold grasp of intricate political realities, the celebrated author of Flaubert's Parrot turns his satiric glance homeward to England, in a sparkling collection of essays that illustrates the infinite variety of contemporary London life.
You put together two things that have not been put together before.
And the world is changed... In Levels of Life Julian Barnes gives
us Nadar, the pioneer balloonist and aerial photographer; he gives
us Colonel Fred Burnaby, reluctant adorer of the extravagant Sarah
Bernhardt; then, finally, he gives us the story of his own grief,
unflinchingly observed. This is a book of intense honesty and
insight; it is at once a celebration of love and a profound
examination of sorrow. **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF
THE 21st CENTURY**
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